Some primary concerns include capturing light from a substrate, referencing bodies and trees and spaces around them, disjunctions between surface treatments and superimposed panels, revealed sections of other paintings. Content is in relationships, relationships between shapes and colours and treatments and layers. My newer paintings resist reproducibility by wrapping around edges and by incorporating gaps between layers and relief sections that produce shadows. What is the figure and what is the ground, what is revealed and why? These are some questions I'm exploring with my current work.



Sutil Point, 2010

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